top of page

Robert Capa, my mentor in every way

Robert Capa, photography by Alfred Eisenstaedt/LIFE,1942

“All you could do was to help individuals caught up in war, try to raise their spirits for a moment, perhaps flirt a little, make them laugh; . . . and you could photograph them, to let them know that somebody cared.”

Robert Capa

Capa’s glory

I keep thinking why I have such an obsession with France and Hungary and its past (Paris and Budapest are my favorite cities). And as to be expected, my preferred photographers are French and Hungarian. For me, they’re masters and are among top 5 until today and whether you agree or not, they’re my daily inspiration, the base of my studies, and 70% of my photography library. So from time to time I’ll write about each one of them, and today this post is dedicated to the one and only one Robert Capa.

What still impress me about Capa was his courage, perspective of seeing things further, his wisdom and above all, his free spirit. It was clear that Capa had the hunger that he needed to motivate him. Furthermore, in my opinion he will be forever the greatest war photographer of all time. Having participate of 5 wars (Spanish Civil War, 1936; Chinese Resistance to Imperial Japan, 1938; World War II, 1939-45; Founding of Israel, 1948/49 and Indochina War, 1954), he is a must read biography to any person who has a slightest interest in war photography/history. Add to that, Capa was the only photographer landing along with the soldiers of 116° Easy Red military unit at Omaha Beach on D-Day, June 6, 1944. Probably his most famous photographs are the ones from this day, The Magnificent Eleven. This group of photos shows the landing of American troops at Normandy. The moment you see it, you come back to that day, the stunning immediacy, you can feel the energy through his pictures, the desperation of the Allies trying to reach a safe spot at the beach and running from the Nazi bullets, the explosions, the death itself. He was one of 20 American war correspondents awarded the Medal of Freedom by General Eisenhower for coverage of World War II.

John Morris was the responsible editor at that time at LIFE MAGAZINE and was in a hurry to develop the films, but unfortunately most of it was ruined by the darkroom staff. Today there are controversies about this matter saying Capa didn’t shoot all the rolls or that they were blank films, either way, the 11 pictures saved are legendary and show us the horror of that day. Plus, Capa risked his life for it. Here is a video of John Morris telling what happened:


Capa was a visionary, and among his achievements was the idea to work for himself. He was co-founder of legendary Magnum Photos agency in 1947, along with Henri Cartier-Bresson, George Rodger and David Seymour, transforming the era of photography into an era where the photographers for the first time was the owners of their own copyrights. Magnum holds until today the title as the most important international photography media covering the world’s major events.

Capa had this ability to show a whole war period in a face of a child. Every time I see his pictures, I see something new, something that I can learn with, any detail coming from his work is a bliss.

Take a look, i.e., at his photos in 1947 postwar Soviet Union. The fact that the war was already over, did not make this adventure less difficult and according to Capa himself, this was not an easy assignment. Wherever his was with his 4 cameras, there was someone telling him that he could not photograph this or that. Think, for a man that was already literally in the middle of 3 wars and was so free, how could he be satisfied with people telling him what he could do or could not do? So instead of being in Moscow as a renegade, he flew to Ukrainian Soviet Republic (and this come as one of my favorite works of Capa) along with writer John Steinbeck. The period they were there they visited two collective farms were nearly almost everything was either destroyed or into pieces. A far remembrance what once we could call houses (I’m haunted by this particularly photo where Capa shows women dancing barefoot with themselves because at that time there were so few men who had survived war… ). Just think about it.

So what’s the lesson that I take from Capa as a photographer? And I’m not a war photographer or a journalist, I’m a traveler photographer, but I can assure you, that we all have much to learn with the masters and why Capa keeps going as my mentor in every way.

(you can check an article about Capa in Soviet Union at this link)

Powerfully emotional

Capa had a way to photograph emotion like no one else. Why? Because he was pure emotion himself. He understood what life was all about. If you read his bio, or have, you’ll understand what am I saying here. He was the first person to bring glamour to a profession that before people used to thought about it as a dull profession. In my opinion, photography brings emotion to people. It makes you happy, sad, disgusted, in love, vain, horrified, it does not matter, photos bring emotion to people. If you look carefully all work of Capa, you will see love, suffer, integrity, compassion, death, empathy, soul. Some of his images are excruciating. When I photograph, is serious, is passionate, is emotional. I don’t full around. I live it. Each photo that I publish is a piece of my life. If you want to understand me, read my pictures, see through it, dive into it.

CHINA. Hubei. Hankou. March, 1938. Young women being trained as Nationalist Chinese soldiers. After having lost Shanghai and Nankijng to the Japanese troops, CHANG KAI SHEK retreated to Hankou, where he resisted until late 1938.
Robert Capa © International Center of Photography